Chocolate 101

What Is Chocolate Tempering and Why Does It Matter?

On this page
  1. What is happening inside: cocoa butter crystals
  2. What tempering gives you: gloss, snap, release, shelf stability
  3. When you don’t need to temper
  4. How tempering is done

Tempering is heating, cooling and stirring melted chocolate so its cocoa butter sets in one stable crystal form, known as form V. Get it right and the chocolate dries glossy, breaks with a clean snap, slips out of its mold and resists bloom for longer. Melt the same chocolate and simply let it cool, and it sets dull, soft and streaky, even though the recipe hasn’t changed at all. If you’re stirring melted chocolate into brownie batter, you can stop here. If you want bars, bonbons or dipped fruit that look like they came from a shop, read on.

What is happening inside: cocoa butter crystals

Chocolate is mostly fine particles of sugar, cocoa solids and, in milk and white chocolate, milk powder, all held together by cocoa butter. At room temperature that cocoa butter is solid, and solid fat is made of crystals. How those crystals are built shapes most of what you notice when you pick up a piece: how it looks, how it breaks, how it melts.

Cocoa butter isn’t a single fat, though. It’s a mix of fats, and as it cools they can stack into several different crystal structures. Food scientists call these cocoa butter polymorphs.

Six crystal forms, one you want

There are six, numbered I to VI. Some sources label them with Greek letters instead, so a textbook and a tutorial may give the same form different names. The forms differ in how tightly the fat molecules pack together, and each melts at its own temperature.

Forms I to IV are the loose, unstable ones. They melt at lower temperatures, and chocolate that sets in them looks dull and feels soft. Given time they rearrange into more stable forms, which is one reason badly set chocolate keeps changing after it has gone hard.

The target is form V. Its crystals pack densely and evenly, and that tight packing is what you see as gloss and hear as snap. It also melts close to body temperature, so a well-tempered bar holds its shape at room temperature and then melts cleanly in the mouth.

Above it sits form VI, which is more stable still but doesn’t normally form directly from melted chocolate. It appears slowly in stored chocolate and is linked to fat bloom. So tempering doesn’t aim for the most stable form. It aims for the one just below it.

Why melting and cooling alone gives the wrong crystals

It seems logical that chocolate melted and left to cool would go back to how it was. It doesn’t, and this catches most people out the first time.

Once chocolate is fully melted, every crystal is gone. As it cools, the unstable forms tend to appear first because they form more easily. Left to itself, the chocolate sets as a jumble of forms, mostly the wrong ones. The surface goes dull or streaky, the texture turns soft or crumbly, and bloom often follows.

Tempering takes control of that process. The usual sequence is to melt the chocolate completely so no crystals are left, cool it until crystals start to form, then warm it slightly so the unstable crystals melt again while the form V crystals survive. Those survivors act as a template. When the chocolate finally sets, the rest of the cocoa butter follows their lead.

Seeding gets to the same place by a shortcut. Instead of growing form V crystals from scratch, you stir in chopped chocolate that’s already tempered and let it pass its crystals on.

This is the simplified version. Food scientists describe how crystals start and grow in much more detail, and the research is still going. But this picture is enough to see why every step in a tempering recipe is there.

What tempering gives you: gloss, snap, release, shelf stability

Look at the surface first. Form V crystals pack into a smooth, regular layer that reflects light evenly. A mix of unstable crystals leaves a rougher surface that scatters light, so the chocolate looks matte even when it’s perfectly fresh.

Break a piece and the inside tells the same story. A dense, even crystal network breaks cleanly along a line, the way a good bar of dark chocolate cracks in half. Untempered chocolate has no such structure to break along, so it bends, crumbles or tears, and it feels softer in the hand. Milk and white chocolate snap more softly than dark even when they’re tempered well, since milk fat softens the crystal network.

If you’re molding, release matters most. Tempered chocolate contracts slightly as it sets, enough to pull away from the walls of the mold. That’s why a well-tempered bonbon shell drops out with a tap, and why it comes out with the mold’s shine on its surface. Untempered chocolate doesn’t contract the same way and tends to stick.

Tempered chocolate also keeps its looks for longer. Because form V is more stable than the forms below it, the chocolate holds out much longer before fat bloom sets in. It isn’t bloom-proof: a bar left somewhere that swings between warm and cool can still bloom. But poor tempering is a common cause of fat bloom, and according to Lonchampt and Hartel (2004), under-tempered chocolate can bloom within a day. That’s often the reason homemade chocolate goes gray long before anyone gets around to eating it. The causes and fixes are in why chocolate turns white.

When you don’t need to temper

Plenty of chocolate recipes never ask for it, and that’s fine.

Anything where the chocolate gets baked or mixed into something else, such as brownies, cakes and cookies, doesn’t need tempering. The chocolate loses its original crystal structure in the oven anyway, and nobody judges a brownie on its snap.

Ganache is chocolate mixed with cream, so it sets soft by design. You don’t temper the chocolate that goes into it in the usual sense, though professionals do pay attention to the temperature a ganache sets at, because it affects texture.

Sauces, hot chocolate and a quick drizzle over a dessert you’re serving right away don’t need it either. The chocolate won’t sit around long enough for the crystals to matter.

On the ingredient side, compound chocolate is the big exception: its vegetable fat sets glossy just by cooling, so candy coatings and many dipping coatings skip tempering entirely, at the cost of a different melt and taste. Real vs compound chocolate explains why.

If the bag says couverture, or the label lists cocoa butter as the only fat, assume it needs tempering for anything you want to look good once it sets.

How tempering is done

At home, chocolate is tempered by seeding, by tabling part of it on a marble slab, or by heating it in short microwave bursts so it never fully loses its crystals. How to temper chocolate at home walks through all three, with temperatures taken from the packaging or the maker’s data sheet rather than a universal chart (they depend on the chocolate), the quick temper test, and what to do when chocolate thickens as it crystallizes, a question of viscosity.

Factories do the same job continuously. Tempering comes near the end of chocolate making, after conching, and tempering machines feed chocolate straight to molding and enrobing lines, where a steady temper keeps every bar and coated biscuit looking the same.